Category Archives: Art for sale

Art for sale Mail Art Postcards

All my love Marni – #mailart #postcard

marni

We will mail you a signed postcard that has been recycled by Peter Bright, each postcard is different and variations of this image have appeared in exhibitions all over Europe and the USA.

To receive your postcard click the button below – the £1.00 is to cover postage etc.

Originally this recycled postcard was a promo for ‘Cassette Culture‘ a download album from This Window which was released in 2009 (which is available on iTunes etc). The photograph is of Marni De Much, the drummer on the ‘Morgue Studio Demos’ limited edition This Window CDR release.




 

Example: Art Kitchen (USA) – February 2012

The postcard below at was exhibited at The Alabama Art Kitchen (An Art Collective) 2626 University Blvd. Tuscaloosa, AL 35401, USA, during February 2012.

The mission statement of the Alabama Art Kitchen is to provide studio space and equipment for local artists – as well as provide a venue for exhibitions, classes and workshops. They are committed to nurturing creativity, volunteerism and access to the art experience, to increase the interest and involvement of the local Tuscaloosa arts community

Art Kitchen (USA)  - February 2012

Art for sale Postcards

#mailart #postcard

Peter Bright - Postcard

 

We will mail you a signed postcard of an image that was exhibited in an exhibition of Peter Bright’s at West Buckland School.

To receive your postcard click the button below – the £1.00 is to cover postage etc.

Quotes: “Take up a radical position with Peter Bright, who is borderline anarchic in his thinking and equally bold in his art.” Andrea Charters … Continue reading ?

Exhibition of Prints, Drawings and Paintings by
Peter Bright
150 Building, West Buckland School

Monday 6th June – Friday 1st July 2011

Old images and ideas revisited and recycled – re-executed in print and paint. A body of work based around “Beauty and the Beast” a classic tale of love, rejection and prejudice, where the beauty is the beast and the beast is the beauty. An allegory, a symbolic representation or a metaphor for my feelings towards ART.

I have always loved the idea of Mail Art – the forerunner of the Internet!

Here is a newspaper clipping about the exhibition at West Buckland school. To see larger image click here

Art for sale Exhibitions

This Window – Printmaking Exhibition – Bristol

Bar_Chocolat_Bristol

This is the first time my work has been exhibited in Bristol – A place where I studied, rehearsed with ‘Finish The Story‘ and met Veronica Henry.

Print

Quotes:
“Take up a radical position with Peter Bright, who is borderline anarchic in his thinking and equally bold in his art.” Andrea Charters

“I keep thinking about George Braque who learnt artificial wood graining from his time as a decorator; the story goes that he taught Picasso and these painted renderings of wood surface became a staple of cubism” John Myers

I have got several of my latest prints on show at Bar Chocolat, a cafe in Bristol.

Why not meet up with friends and relax for a while with something from their classic café menu if you are in the area.

Soak up the cosy atmosphere and maybe buy a print?

19 The Mall
Clifton Village
Bristol
BS8 4JG

Telephone: 0117 974 7000

Map to Bar Chocolat Cafe?


Print on paperGeorge Braque was born on 13 May 1882, in Argenteuil, Val-d’Oise. He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. He also studied (real) painting during evenings at the École des Beaux-Arts, in Le Havre, from about 1897 to 1899. In Paris, he was an apprentice to a decorator and was awarded his certificate in 1902.

Early works were impressionistic, but after seeing the work of the “Fauves” (Beasts) in 1905, Braque adopted a their Fauvist style. This  group  included Henri Matisse and André Derain  etc. Their use of bright, vivid and brilliant colors was their  response to the emotional side of artistic representation.

Braque’s paintings of 1908–1913 reflected a new interest in geometry and simultaneous (multi) perspective. He conducted an intense study of the effects of light,  perspective and the technical means that painters use to represent these effects, seeming to question the most standard of artistic conventions.  This was the beginning of Cubism… (?)

Art for sale

Frank Stella – but I use Commercial oil based paints mixed with animal fat

This painting was painted around 2002 / 03 by Peter Bright (aka This Window)

I hadn’t seen this painting for nearly 10 years – until yesterday

Materials

Organic: Commercial oil based paints mixed with animal fat and traditional oil paints. Emulsion paints mixed with traditional acrylic/watercolour/gouache paints

Synthetic: Commercial and domestic self-adhesive vinyl tape, cut with a commercial computer based design/cutting program, using  Signlab v.4.95 software package.

Prediction = the aesthetics of the system + the aesthetics of failure = Prediction

Background:

Upon moving to New York City, Frank Stella reacted against the expressive use of paint by most painters of the abstract expressionist movement, instead finding himself drawn towards the “flatter” surfaces of Barnett Newman‘s work and the “target” paintings of Jasper Johns. He began to produce works which emphasized the picture-as-object, rather than the picture as a representation of something, be it something in the physical world, or something in the artist’s emotional world.

Many of his works were created by simply using the path of the brush stroke, very often using common house paint.

Frank Stella. (2012, May 25). In Wikipedia, The Free Encyclopedia. Retrieved 05:22, May 26, 2012, from http://en.wikipedia.org/w/index.php?title=Frank_Stella&oldid=494387687

I was using vinyl, a material I have used commercially, as my preferred medium. The “plasticness” of commercial vinyl tapes, their tactile and glossy qualities make them vibrant and alive; when juxtaposed against natural materials or organic shapes and colors they become a contradiction, a complement, more intense and more synthetic……which is similar to Frank Stella’s work during the 1980’s 4 . I carried out experiments with this vinyl material; I have cut and slashed it to destruction, to gain a better understanding of the inherent stability of this medium. I have rejected the possibilities of cutting out images and shapes by hand…..the aesthetics of the system was more important.

@optimiseduk – Original Thoughts = keywords?

Is it acceptable to splatter words on a page and call it optimization?  Organic and Synthetic Link to final Art Proposal… Continue reading →